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The Art of Writing a Good Review

Writing a good review is not easy. Primarily because you need to have enough information to make your impressions and ideas valuable to the readers.

To start, you need to know meticulously the object of your review. Your readers will use your assessments to judge whether the movie/play/video game/culinary experience  is worth their time and attention. So you need to offer them enough references, introduce enough ideas and comparisons to help them make that decision on their own.

A good review describes its object in detail. If it’s a play, you’ll devote equal time to each act. If it’s a movie, you’ll pay attention to relevant scenes. If it’s a meal, each course will get its own paragraph. But when assigning your editorial space, you will always leave some aside to discuss the most salient aspects of the piece.

A good review is a direct look into the eyes of the artist. With your most sincere, honest words, you will describe not only the experience but also the feelings it triggered in you. Sometimes those feelings will be of boredom and disgust, sometimes they will be of joy and amusement, and on rare occasions (very rare) they will be of pure amazement.

Here are a few reviews you may find useful when working on your own!

Roger Ebert’s reviews are always a good reference. Here’s one on Coriolanus, directed by Ralph Fiennes.

Here is The Village Voice‘s Rob Harvilla with a brilliant review of MIMS’ This is Why I’m Hot

Finally, here’s a review I wrote about The Limits of Control, by Jim Jarmusch for the New York Daily News, based on an interview with actress Paz de la Huerta.

Working with photos: Adobe Bridge, Camera Raw and Photoshop

So, there are three easy steps I normally use to edit photos and make them ready for the web. In these two tutorials I walk you through them. Please follow these steps before uploading your images to Ithaca Week.

This first video shows you how to import your photos using Bridge, and then add meta-data and copyright info to the file.

In this second video you’ll learn how to open your photos in Photoshop and add some final touches.

The “Truth Vigilante”

Arthur Brisbane, the NYT public editor, ignited an interesting controversy on journalism, objectivity and the role of fact-checking. In his column on January 12, 2012, he asked whether the NYT journalists should be “Truth Vigilantes”

The comments were unanimous and rather embarrassing. The one that made the biggest impression on me was this article by Todd Gitlin.

Please read both articles, some of the comments to Brisbane’s articles, and tell me what do you think journalists should do? Or, in other words, how should we go about fact-checking?

Working with buttons in Flash CS5.5

I created a few videos that should teach you the basics on how to work with buttons in order to add interactivity to your graphics using Flash CS5.5.

The first video shows you how to create a graphic and a button.

The second video shows you how to add instances to your buttons.

The third video explains how to add a hyperlink to your flash button.

The fourth one covers the use of the “hit” position.

Data Visualization

Geoff McGhee is an online journalist who works on data visualization at Stanford University, where he has produced Journalism in the Age of Data. The project, which encompasses a video documentary on different approaches to data visualization, has a segment dedicated to journalism, and discusses how “Data Vis” is starting to create changes in newsrooms.

Other websites to pay attention to are Many Eyes which has an application that helps you convert your data (in Excel) into visual information, and DJB (Data Journalism Blog) created by digital journalist Marianne Bouchart.

Also, if you haven’t checked them out yet, Flowing Data, Infosthetics and Fathom are great resources.

Martin Wattenberg’s site Bewitched is also full of great ideas. Wattenberg is a co-leader, with Fernanda Viégas, of Google’s “Big Picture” data visualization group.

 

Adding Clips, Effects, Color Correction and Exporting Projects in Final Cut Pro X

Adding clips to your Final Cut Pro X project is very simple, and here’s how you do it.

Do you need to add some transitions? Check out this clip.

Do you need to modify your audio adding effects? Watch this video:

If you want to add some effects to your clips, you should watch this one too:

Did you know that there are a few different ways to export your project? Check them out here:


 

Finally, here’s a good tutorial on how to do color correction in FCPX. It also teaches you how to correct some problems with exposure.

 

 

Audio and video for the web: beyond redundancy

Sometimes video as part of a multimedia piece overlaps with the written part of the story, like in this piece from the New York Times.

Some other times, video and audio show an aspect of the story that was hard or impossible to reveal in words.

Narrative Leads

A lead is an invitation, a tease, bait. A lead is the net you cast out to catch your readers in an ocean of electronic distractions. The stronger and wider your lead, the more readers it will catch.

So far we have worked with straight-forward news leads, inverted pyramids and teasers. But I would now want you to start paying attention to a different type of opening: the narrative lead.

Narrative leads vary in length and form according to the length and style of your article, but their role is always the same: to establish the mood of your piece and to let the reader know what your story is about. Unlike inverted pyramids, narrative leads do not summarize your article. Instead of saving the reader from reading the full story, narrative leads push him/her deep into it.

Below I listed a few good examples of strong narrative leads curated by Poynter.org’s Chip Scanlan. Please read them and be ready to answer the next few questions in class:

1- Can you classify them by style or genre?

2- Which one is the most appealing to you and why?

3- How do you think you could produce a narrative lead for an audio/video story? Do multimedia narrative leads follow the same structural rules?

After taking a look at the examples, please read Bob Baker’s Six questions to ask yourself before you type that anecdotal lead and answer the following question:

4- What story you’ve written for our class so far that would have read better with a narrative lead?

Baker proposes a test to justify our use of the anecdotal lead. The “[…] basic test is: Does the anecdote actually represent the greater truth of the story?”

Here are the examples:

 

A waiter fond of poet Ralph Waldo Emerson attends morning prayers at his church, steps across the street and hijacks a school bus. Owing $15,639.39 in back taxes, wielding what he says is a bomb, Catalino Sang shields himself with disabled children.

Follow my orders, he says, or I will kill the kids. “No problem, I will,” says driver Alicia Chapman, crafty and calm. “But please don’t hurt the children.”

The saga of Dade County school bus No. CX-17, bound for Blue Lakes Elementary, begins.

 

“Terror Rides a School Bus” by Gail Epstein, Frances Robles and Martin Merzer
The Miami Herald, November 3, 1995

 


The past came to claim Aleksandras Lileikis this week. It knocked on his door on Sumner Street in Norwood, shattering his quiet present and shocking the friends and neighbors who thought they knew the man in the yellow house. It knocked on all of our doors, pointing to the genocide of more than 50 years, demanding that we hear the stories and seek the truth.

 

“A summons from history” by Susan Trausch
The Boston Globe, Sept. 23, 1994


JERUSALEM, Nov. 4—A right-wing Jewish extremist shot and killed Prime Minister Yitzhak Rabin tonight as he departed a peace rally attended by more than 100,000 in Tel Aviv, throwing Israel’s government and the Middle East peace process into turmoil.

 

“Israeli Prime Minister Yitzhak Rabin is Killed” by Barton Gellman
The Washington Post, Sunday, November 5, 1995

 


Her weight’s gone up. Gray hairs have sprouted. She’s gotten used to flat shoes instead of heels and eggplant-shaped dresses instead of the gowns and furs she used to wear. But after a decade in prison for having her husband killed, Betty Lou Haber, closing in on 50, is still as polite and sweet sounding as ever.

“There’s never a night that I go to bed and don’t say my prayers,” she said last week. “I just do the best I can.”

And that’s why Albert Haber’s surviving children are worried.

 

“A murder story” by David Finkel
St.Petersburg Times, May 26, 1985

 


HAVANA—This is the moment when, in my dreams, I begin to cry. And yet, I’m strangely calm as I go up the stairs to the apartment of my childhood in Santos Suarez, the only place that, after all these years, I still refer to as la casa, home.

 

“A sentimental journey to la casa of childhood” by Mirta Ojito
The New York Times, Feb. 3, 1998

 


Karubamba, Rwanda—Nobody lives here anymore.

Not the expectant mothers huddled outside the maternity clinic, not the families squeezed into the church, not the man who lies rotting in a schoolroom beneath a chalkboard map of Africa.

Everybody here is dead. Karubamba is a vision from hell, a flesh-and-bone junkyard of human wreckage, an obscene slaughterhouse that has fallen silent save for the roaring buzz of flies the size of honeybees.

 

“Only Human Wreckage Is Left in Karubamba” by Mark Fritz
Associated Press, May 12, 1994

 


A healthy 17-year-old heart pumped the gift of life through 34-year-old Bruce Murray Friday, following a four-hour transplant operation that doctors said went without a hitch.

 

“It Fluttered and Became Bruce Murray’s Heart.” By Jonathan Bor
Syracuse Post-Standard, May 12, 1984

 


SAN QUENTIN—In the end, Robert Alton Harris seemed determined to go peacefully, a trait that had eluded him in the 39 violent and abusive years he spent on earth.

 

“After Life of Violence Harris Goes Peacefully” by Sam Stanton
The Sacramento Bee, April 22, 1992

 


At 12:30, my husband and I were having a pleasant lunch in a restaurant. At 1:30, we were back home, sitting at the kitchen counter planning a trip to Vienna and Budapest with cherished friends. At 2:30, I was walking out of the hospital emergency room in shock, a widow, my life changed forever, beyond comprehension.

 

“Facing the void of a life and a love lost in a moment” by Joan Beck
Chicago Tribune, July 12, 1993

 


Let’s talk about tattoos.

 

“Tattoos and freedom” by Michael Gartner
The (Ames, Iowa) Daily Tribune, Oct. 7, 1993

 


BELFAST, Northern Ireland—The specter of the Shankill Butchers, an infamous sectarian murder gang that ravaged Roman Catholic ghettos a decade ago, is rising again on the pitiless streets of North Belfast, where fear and grief are running heavy from fresh homicide raids.

 

“Communion, tenpence, and terror along the wall” by Francis X. Clines
The New York Times, May 27, 1988

 


MANILA, Ark.__It killed first, then it came into town.

 

“Tornado sneaks into Manila, killing 2 kids just as sirens wail” by Bartholomew Sullivan
The (Memphis) Commercial Appeal, April 17, 1998

 


Hide the school-age children and call out the American Civil Liberties Union and the People for the American Way. The Bible is coming to television, right out in public where everyone can see and hear it__or, anyway, that version of it to be aired on Arts & Entertainment for four nights beginning Sunday (8-9 p.m., EST).

 

“The ‘good book’ on prime time by Dorothy Rabinowitz
The Wall Street Journal, Dec. 14, 1992

 


MOUNTOURSVILLE, Pa.__They knew them as the girl who spilled the fries in the car. Knew them as the boy who shot baskets and lighted the candles at church. Knew them as the girl who wrote poetry and played the piano.

 

“Small town grieves 21 dead” by Ken Moritsugu
Newsday, July 19, 1996

 


It was about 8:45 Thursday morning when I walked into the Hermosa Beach Police Department with two dozen Krispy Kreme doughnuts and a 12-pack of Coors Light.

 

“A few Coors Lights might blur the truth” by Steve Lopez
Los Angeles Times, June 29, 2001

 

Interviewing Techniques

Interviewing is almost an art. And some people simply excel at it because they know how to engage their interviewees, making them feel comfortable and safe while asking the hardest questions.

Although the interview is a collaborative effort, you will immediately notice that this collaboration has its own rules. Even when sometimes both interviewer and interviewee can have a common goal, your agenda will usually differ from that of your interviewee. Thus, what you think was a great interview could also be the worst experience in your interviewee’s life.

Here are 13 interesting tips to conduct better interviews. The one I liked the most was number 13, endure awkward silences. Sometimes our questions will not be well received. But we still want the answer, right?

 

Uploading Your Audio to SoundCloud

Here I created a mini tutorial on how to upload your audio stories to SoundCloud, which is very, very easy. In the second part of this video you can see how to create the embedding code to use the audio file in WordPress.